Posts Tagged ‘Reguritation Wednesday

25
Jan
12

Regurgitation Wednesday: How do you Space?

Welcome Back to regurgitation Wednesday and today we are going to attack the idea: how many spaces goes after the period before the start of a new sentence. Depending on your age, I’m sure some of you all took a keyboarding class or two. If not I’m sure you have used a typewriter before the fancy dancy computers came along.  In the good old days, two spaces were the norm, because of the font typewriters used, it helped to visually see where a sentence began and ended. So we adopted the two space rule.

But with everything, times have changed. In E-Publishing the rule is one space after the period. And this comes partically from formatting issue when converting files into publishable formats that we all love to read on our readers. Not only does it come down to a formatting issue, it comes down to the font issue. With technology, comes change. Now we have multiple readers, multiple fonts and multiple hands changing the details. We no longer need the extra space for our eyes to distinguish sentences.

Try this challenge, ask those around you… how many spaces do you put between sentences? You’ll be surprised. More than surprised. The reason for this regurgitation topic came from my RWA chapter loop buzz. This weekend one of the members sent a link to a wonderful article on the dreaded space question and oh my, my, my did it cause a flurry of emails. All good.

We have multi-published authors in our group and they all had different ideas on space. Most in the e-publish arena use one space, and most with the traditional use two. One just had her rights reverted back to her books so she can now put her back list up as e-books. She had to take all the extra spaces out of her novels.  As you can see the issue that enslues because more and more publishers have e-book clauses now. And to have e-book formatting you’ll need a single space. You could just image the emails. Whose doing it wrong and whose doing it right… Well once again it will depend on the Publisher. In my experience with e-publishing I’ve had to take out all the double spaces after the period. Typically you can find and replace the spaces with the edit function in the most software. And then, train yourself not to add the extra space. Try as you might, but try.

Here are two websites that just get the conversion going. Enjoy.

Thank you for regurgitating with me, come back the next topic.

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18
Jan
12

Regurgitating Grammar Sites

Over the years, people have asked where do I brush up on my grammar? What really is passive voice, show not tell and where or where do you put the comma? Really does it matter?

Yes, it does. You really want an active voice, honesty pick up your favorite fiction books most of them if not all of the books are written in active voice, because let’s face it active voice is just so much more interesting.

Don’t tell me the moon is shining; show me the glint of light on broken glass.  ~Anton Chekhov

Showing is just better than telling , because let’s face it we don’t want the author to tell us how the characters are felling. We want to see it on the page.

Commas?

Should we put it a comma before the “and” in a series or not… this is style. Each publisher has a different outlook on commas just as each author does. If all else fails… keep it consistent.  If you add a comma in a series before the “and” then make sure all series commas in your manuscript match.

But please oh please, make sure you place the commas in their proper grammatical location because as the picture dictates above, using a comma can save a life. 🙂

When you fall into questionable areas, here are my go-to, must have grammar sites:

We are all human, just trying to understand our language enough to share a fictional story with the world. Keep it consistent, follow your targeted publisher’s submission requirements and follow your gut. Stay tune for the next regurgitation thought of the day. Happy typing.

09
Feb
11

Reguritating Show not Tell

Ever stumble over showing and not telling, then you’re not the only one.  Each fiction writer has at one point or another stumbled.  At one point my critique partners and I struggled to  wrap our brains around this.  We searched the internet, googled show not tell and listened to multiple lectures stressing show and not tell. You can find hundreds of examples.  But here I’ll break it down short and sweet.  Ever watch an awesome movie, can’t pull yourself away from the plot, the characters… their mannerisms?

Well, make your story that way. Don’t tell your audience what your characters are doing or feeling. Show them. Make them feel and discovery the story with you. They read for the joy, the illusion, to enter the Wonderland of imagination. We all strive to get back to imagination, so give it to them. 

 Don’t just tell your audience:  Joe Smoe walked across the road in a fit of rage.

Show them: Joe slung his pillow across the room “4:00 in the damn morning.” Yanking his pj bottoms up, he stalk out of the front door.  This is the last time. He thought. People milled about the yards, shouting, and vomiting in the hedges.  “Damn noise, People are trying to sleep. I’m trying to sleep,” He muttered.  A car skidded to a stop, horn blazing as he stepped into the road never taking his eyes off the prize. That damn stereo system. He stomped up the steps, grabbed the baseball bat from the porch, weaved through the people who laughed and party. No one stopped him as he strolled through the open front door, and took the baseball bat to the speakers that pounded out a beat from hell.

Sometimes, showing is just a gesture, arched brow, description of what the character’s face is doing.  Their actions, movements.  Bring your story alive, make them feel the emotions.  That’s what showing is.  Look at your scenes, in editing, if they seem flat, bring them to life.  Always think, how can I make this scene breath. And show it, dramatize it, don’t simply tell, because I don’t know about you, but I don’t read books if I don’t feel them.

02
Feb
11

Reguritate a little which and that

We’ve all use these two words, which and that. But how much of it is left in our finished product?  Not much.  Often the word that can be removed during the editing stages. Actually, on many Publisher’s websites they have self-editing guidelines and in many of them ask to find ‘that‘ and eliminate 90% to 95% of them.  They’re not needed in the sentence structure. Once again this is regurgitated information all the way from English 101 but if you’re like me, what is not applied repetitively, can and will be forgotten.

Which is a different puddle of fish, the information it throws into the sentence is a clarification tool. The stinker about which is when using it as a nonrestrictive clause you need a comma to proceed it and may need commas to enclose the clause within in the sentence. For more information on restrictive and nonrestictive clauses . See Chicago manual of Style Chapter 6.22.

Some examples I’ve come across:

Thick dark brown hair that waved gently, hazel eyes covered by thick eyelashes, and rich lips that were moving but my brain turned to his body.

He stole my brain, synapses misfired at one look from those steamy hazel eyes framed by thick eyelashes and the Mc’awesome thick wavy brown hair. I struggled to grasp even a single thread of words, which came from those kiss-me-forever lips, damn I was in trouble.

We sleep in that bed more or less in the whole day.

We lounged in bed most of the day, just talking.

The boat which was yellow was easy to pick out at the marina.

The boat, which was yellow, was easy to pick out at the marina.

Stay tune for the next installment of Reguritation Wednesday.




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